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Messages - gjoerulv

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FF9 Tools / Re: [PC] Save editor - Memoria (
« on: 2021-07-14 21:57:21 »
I tried it that way after you mentioned it and it still didn't commit the saves to my file. Stats, names, equips, gil, items - nothing I edited was saved.

Hmmm, so basically the editor doesn't work? Can't say I've noticed that, lol. Do you know what version you are using?
Edit: Just to make sure. You actually have to save the file too. The save button in the toolbar, or file -> save.

FF9 Tools / Re: [PC] Save editor - Memoria (
« on: 2021-04-25 19:46:26 »
Sadly, this isn't possible by memoria atm. If you really want to explore, you can try the hex editor, but your pretty much on your own there. You can also extract/dump the raw savefile.

FF9 Tools / Re: [PC] Save editor - Memoria (
« on: 2021-02-22 02:07:37 »
Oh 9 is out on Xbox lol. Don't think I knew that.
I suspect that one would be similar to the steam format.
Perhaps it's possible to save on cloud and download it to the steam version? Then it should be easy to use memoria.

Anyway I would need an example of a save file to know. I'll see if I can find one.

@faospark putting it on github seems like a good idea. There aren't many unreleased updates though, only the card thing I mentioned earlier.

FF9 Tools / Re: [PC] Save editor - Memoria (
« on: 2021-01-17 18:30:35 »
A 100% conversion can't be made until the entire psx save is mapped. As far as I know it, isn't.
It would be fairly easy to make certain sections, let's say character data, transferable though.

FF9 Tools / Re: [PC] Save editor - Memoria (
« on: 2020-12-09 11:13:24 »

After several years I finally decided to make an option to set cards to their MAX levels (based on quoted post) instead of simply setting them to 255. Not released yet; looking to do some import/export features updates too.

Still unable to reproduce the naming bug people are reporting. Not sure what to make of it.

That would probably be me. But, imo, these versions are ~99% identical.
One other thing from the top of my head though, iirc, 7H can crash/hang on certain encounters at Nibelheim mountains with this mod. Not sure if that's still true.

7H may be using a version that had that "bug".
In any case, the only changes worth talking about is in v1.0.7, and even those are quite minor (except that final boss nerf).
The flashback was never hard in this mod. There is an extra boss at the reactor, but that one is quite easy.

I'm guessing it's the same, but it does sound weird you don't have control of sephiroth.

It may be some conflicts in the kernel via other mods perhaps. Hard to tell, but do you have any other gameplay mods on in 7H?

FF9 Tools / Re: [PC] Save editor - Memoria (
« on: 2020-08-24 12:04:13 »
Yes, I've noticed that. Not sure how the game updates the values etc, but iirc it didn't do this on the psx.

Completely Unrelated / Re: The New State of CHAZ...
« on: 2020-06-16 03:53:12 »
Yup, the term hippie may be more accurate.

Completely Unrelated / Re: The New State of CHAZ...
« on: 2020-06-16 01:37:43 »
Are they using plumbing, electricity, internet, etc? If so, they kinda need to leech off of the country that surrounds them no?

I might be wrong, but this seems like crazy anarchists mixed with crazy socialists to me. The extreme end of the latter tends to lean towards the totalitarian aspect these days, so if I'm correct in my assumptions, it'll be very interesting. I mean... Anarchists paying some sort of tax willingly...

Or perhaps it's just a bunch of kids larping.

Completely Unrelated / Moron Police
« on: 2020-05-27 18:15:38 »
Last summer I discovered this album while being on a boat, chilling in the sun. It's called "A Boat on the Sea". Caught me by surprise, 'cause I know the old Moron Police and, while you can still hear some familiarity with the old stuff it's definitely more, uhm, mature. It's refreshing, happy and up-beat. I kinda get game-music vibe from it.

Really like this vid:

So yeah, call me repetitive but I stand by my statement, I consider chap18 to be on a whole other level of damage than any of the inconsistencies you mentioned. No, in fact I think those wouldn't even bother you as much, if the ending wasn't such a mess.

They would. Trust me they would. The demo made me cringe A LOT. It was already broken before Cloud had entered the reactor. Naive as I am, I thought the storytelling would be good in the beginning AT LEAST. To be fair, reactor 1 is one of the better parts. Still, it broke me. And it was pretty much all the in the details there.

When I say the devil is in the details, I don't try to argue that the small details about this game is its worst aspect. I think everyone agrees the shit at the end is terrible. Even the laziest of minds will detect something off here. And I agree the levels of damage aren't equal. If it weren't for the ending, at least it could continue in some fashion without being accidental comedy.
What I'm getting at is that for me -and many others I'm sure- the story is already broken long before the ending partly because of the small stuff.
Everyone's suspension of disbelief aren't the same. Most/everyone has a different BS level before the immersion breaks. Every scene is littered with small immersion breakers here and there, and the fleshed out story only adds to it (yes, not EVERYTHING is bad, I'm doing broad strokes). I have a hard time getting through some scenes. My BS bucket is getting full fast and every BS drops feels heavier than the last.
Again, if one can handle it, don't care, whatever, then more power to you.

The ending (c18+) is laughably bad. It's comedy. The bad stuff before the ending is more like pain, disbelief, cringe and facepalms. Except for the whisperers. They're comedy too.

2. Mr.Rasberry's personnel keycard:
...but I don't find it such a serious offense.

3. Goodbye speeches:
Disagree. I understand where you come from...

4. Domino:
...but it's out of discussion that the Remake performs better in terms of credibilty in the whole infiltration ops. So yeah, not exactly genius writing, but an improvement still.

What I'm trying to point out are "trailer moments" if you will. And the overall approach: Style over substance.

"Small offenses" like these are all over the place. They are rather small in the grand-scheme, on THEIR OWN. The devil is in the details; details are important to make a believable story, and in the case of FF7R, the details are everywhere.
If a person manages to buy/ignore/accept logical flaws like these, and how many you manage to swallow -and in what frequency- before the story breaks, depends on the person, of course. Everyone is somewhere between 1: "Whatever, just go with it", OR  2: "Everything MUST make 110% sense". Logic is still logic though.
Your own experience, the art-style, the tone and the genre plays a huge part in where on the scale you end up. I wouldn't mind logical inconsistencies in an animated crazy comedy. The realistic art style in FF7R plays a huge role in why much of the stuff doesn't work. I've argued as far back as the release of the 1st trailer that this art style is a huge mistake, and that the story will end up taking a severe hit. Marketing is marketing though, so realistic style it is.
Due to the art style, lack of voice acting and other limitations in the original, the abstraction layer is much deeper. Headcanons are pretty much forced upon the consumer to some extent, and, imo, it works much better than how FF7R tells its story. I dread to think about how current SE would make any of the classic FFs. Welp, we kinda do know, FF7R, lol.

And to comment some of the specifics:
Sure, Cloud having a goodbye moment with Biggs, by itself, doesn't ruin FF7R, far from it. If this was FF7R's only potential flaw, it would still be chained logically together with everything else, and judged accordingly. However, the logical chain, as is, is severely broken in many places, and "trailer moments" like this plays a big part in breaking it.
Besides, the immediate scene here was more important for SE, that's the gist. If it makes sense, which it kinda doesn't, wasn't my main point here. They wanted that scene, and weren't very considerate about anything else. If they were, I dunno, they should have asked someone else to write it.

In these specific cases (goodbye speech, Domino, Tseng's broadcast etc), I'd say, cut them. If you can't make them work, or that they make slightly more AND less sense at the same time, why include them at all? In the case of Domino, the art style, and the overall more dark and gritty tone forced them to do something else, and it only half assedly worked imo. I've wouldn't have included any of it. Then again, how do you connect the scenes? Dunno, not my job lol.

Biggs: "Not fond of kids?"
Cloud: "No..."
*caresses Cloud's head*
Biggs: "But you have... so much in common"
Me: God what an amazing scene.

Nothing wrong with that scene (or that part of the scene rather) purely on its own. In fact, on its own it's very good. When put in context however, it cracks. Again, the immediate scene/moment is the most important thing here for SE, which, to me at least, breaks the immersion (as if it weren't broken a dozen times before in this scene alone lol). When you're in an extreme hurry like this, to prevent a colossal disaster, even when your best friends lies dying, would you really have time for a "last moment speech". Welp, at least any emotionally stable person wouldn't have, but the script makes everyone into emotional idiots because... Muh characters! Muh scene!
In the original, I distinctively remember -the first time I played- that I didn't even talk to Biggs and Jessie because 1: There are things that are way more important now; time is ticking fast. And 2: Maybe they will survive if we can stop the plate from falling; I don't know how badly they are hurt.
To my defense: I was 15 and didn't take the gameplay hints that I actually had as much time as I wanted. Talking to them was out of the question. I think most of you would agree that the tone in this scene is very serious, with a huge emphasis on urgency. And as far as the player knows, you are the only ones with enough fighting skills to actually stop this. Someone else is probably much more suited to look after Biggs and Jessie.

SE, if you are to flesh things out, please have it make sense. Please consider consistency and context. Sure, the whole Domino part has been """fleshed out""", but it doesn't make sense. Actually, as pointed out already, it's made even more ridiculous now. It was wanky enough to begin with; the addition here broke it imo. Even if an insider makes the infiltration more plausible, have it make sense. If you can't make it believable, do not include it. It seems one of the main reasoning here is to make Domino into a good guy, more likable, muh characters(!). If that's the tipping point of your reasoning SE, I'm sorry, that sucks. People will buy it, sure, but it still sucks.

FF9 Tools / Re: [PC] Save editor - Memoria (
« on: 2020-05-12 16:09:44 »
Sorry for late reply, I'll try to look into these.

I believe I've seen the error about the names reported before but not been able to reproduce.

On the IOS thing, I'm not sure what to say. Make sure to select the right file and remember to save. Keep in mid that the preview isn't updated.

I can't remember atm the PS4 format, but if the files are pure Json, they should be super easy to edit with notepad++ or something similar.

I've meant for a while now to take a new look at Memoria again, as there have been some new development, but time won't cooperate. It's on my list for sure.

Kefka pretty much nailed my thoughts on those scenes. I would sum it up with style over substance. The immediate scene is more important than consistency and logic. It's all over the place in main stream storytelling. Fuck the overall context, fuck believability, fuck consistency, fuck logic, as long as we get to show off how good of a character Aerith is, searching for those kids and stuff. Yeah.... Same in Barret's scene with the president. These examples are probably some of the worst, but they are spread out pretty much all over the game. Again, not that it didn't exist before, and I think this quote is a good example to highlight style over substance in both OG and R:

3: The Sector 7 plate drop. The battle at the pillar itself was actually fine and all, and it even featured a rare IMPROVEMENT over the original plot by showing Tseng and captured Aerith over a monitor rather than in a helicopter on site. That one always bugged me a little bit in the original, Tseng's chopper was still there when the bomb at the pillar exploded, and some of the debris actually got dangerously close, lol! So the approach from the remake with Tseng contacting them from a safe distance seems more reasonable indeed.

Does it make sense though? I agree it makes logistically sense (it didn't at all in the original). It makes sense if Tseng's reasoning for the broadcast is it to let Aerith communicate with the party about Marlene. Or if he has some sort of sadistic pleasure in letting them know they'll die. Or perhaps he thinks he can score with Aerith if she let her talk to her friends before he murders them?
I would say the 2 latter makes the """"most"""" sense. The problem, imo is, again, the art direction. Mustache twirling villainy like this is too juvenile and out of place here.
The original was also stupid, style over substance, about how Tseng lets Aerith talk to them, and how he was even there. And the helicopter part. Though, I guess they (Reno, Tseng) used that helicopter to escape in the original as well. Reno and Rude also escape by helicopter in the remake so there is that... Hard to see any other way to escape within the timeframe.

This part of the scene serves 3 purposes. To mention Marlene, to mention the ancient's and to know Aerith is captured. Caught that peeps? Please ignore how Barret just missed Rude with his gunarm while Rude runned in straight line away from him. All that action looked cool right?

Please don't tell me Tseng knew they would survive all along, and allowed Aerith to talk to them because he has a crush on her... This would be a perfect example of a writer retconning a scene when they notice they f****d up and there is no room to back peddle.

Also, if Shinra's security is this tight (fancy cameras and shit), why would Jessie use her father's card and put all of them in danger; her family, neighborhood, friends and Avalanche. Could it be because Cloud needs to go to her father's room and learn more about Jessie?  :o We needed that scene this much, huh?

but to say that Tifa wouldn't, for example, because she didn't in the original is hard for me to believe. It's hard for me to believe that the Barret that experience his own hometown burning wouldn't feel anything for the people of sector 7. I think in OG he was wreckless and irresponsible as a leader due to being blinded by hatred for Shinra, but I don't think he was ever heartless.

I'm not suggesting he is heartless. It's his emotions that drives him, 'cause he lost so much dear to him. At this point in the story, Barret wouldn't be onboard going back IF the choice was between that and rescue Aerith. If he was pushed to do it, he would reluctantly follow, probably being angry about it. Tifa would not be angry, and agree to follow. Tifa is quick to agree to go to the HQ mainly because of Cloud.

Also, the situation in the remake is different. In the original there is little to suggest this many people survived. What we consistently see during the plate incident is that people don't want to leave. Not that there couldn't be any big evacuation operation going on in the original.

I agree with this to an extent, but I think this is a bit exaggerated. He is about 95%+ the same in FF7 Remake as he is in FF7 OG. You have to really stretch out the details to say he is very different at all.

Hmm, welp, if people agree he is this similar, 95%+, then I guess he is only 1.05 better in the remake at most. ;D ;D
Not sure what you mean by stretch out the details. Nitpicky? Imo, the differences is not only the small details, but he is more similar than different, I think anyone would agree to that.

Calling Barret a complete moron isn't honest though. Same as calling FF7 a convoluted mess.

If he is "better" is one thing, but he certainly isn't the same character. At least not the same Barret as he was at the start of FF7. In the original, he is pretty much consumed with his revenge towards shinra. Pretty much everything he acts out is hate aimed towards shinra, in some form, be it direct or underlying. He justifies his action by calling it "saving the planet", though it really is to satisfy his shinra hate boner. Only when he interacts with Marlene is the hate truly gone.
In the "remake" they make him less consumed; a "good guy" and when he does have tantrums, they are often exaggerated.
FF7O Barret wouldn't make silly jokes in the first mission. FF7O Barret wouldn't go back to sector 7 to check on things after the plate fell. After he knew Marlene was safe, and after making excuses to Elmyra, the mission was back on.

I'm not saying he is a totally different character, but by "fleshing him out" they remove some, and they add some. Some for the better. Most of it because he needs to be "likeable", which, imo, is rather transparent. Again, marketing.

And my joke was funny  ;D ;D

Hmmm, I guess the arbiters of fate failed to make him a 1000 worse than what he is in the remake.

FF9 Tools / Re: [PC] Save editor - Memoria (
« on: 2020-05-04 14:00:29 »
You can't resize it by dragging the edge? Alt you can try holding windows key and use the arrow keys. Example: Hold windows key then tap right. This should adjust windows to the right. Assuming you're on windows 7-10.

Visually, musically, vocally, variety of play,depth of play are all objectively better in remake no matter how you slice it. While story is close enough it really shouldn't be a part of the this is better or that is better, game time is about the same

Narratively it's easier to understand the motivation of almost all characters involved, we also received a better understanding of what type of people the characters are, the story maintains its complexity, there is a clearer understanding of the the different factions involved, major plot points are given more context and gravity, emotions from the character are easier to read and understand, themes covered are more fully explored... So objectively unless it's a horror narrative it's objectively shared better then the original the only real issue is the plot ghosts, a good narrative should give you enough pieces that you should be able to reliably determine how a character should act in a given situation and cover a broad range of emotions.

Art is a subjective medium with objective criteria so yeah you can be objective while discussing art, things that bring an emotional response are subjective in nature so as soon as people start using Nomura as a reason to not like or artistic changes as an issue it become subjective, if you can keep to the actual content and quality thereof then yes you can stay objective.

So if you ignore the specifics of the story changes and focus on the contents and story building then yeah story of remake is as good as original, if not better as it is in world more believable.

Visuals and music have a more advanced technology behind, them, sure. Imo, the art-style in the original suits the story much better.
Because of voice acting the music design is approached differently. If they are objectively better compositions is another other question.

Don't care about the battle system, but there are a lot more strategic potential in the original, though they didn't get fully realized in the final product. As in, you don't really need all of it. But it is there. So... I dunno, speaking quantity, the original has more.

Fleshing things out does not necessarily make things better. The new narrative actually adds a whole plethora of new plot-holes (not that the original didn't have any), and stupid anime-logic (for lack of better word). Biggs, Wedge and Jessie comes off as bad, cringe-worthy characters. Sure there are some good moments, but overall cringy as hell. The orignal characters comes off as caricatures of themselves. Imo, I think that was inevitable in this art style.
The original had a better narrative structure when it comes to gameplay vs story. In FF7R the structure adds to the convolution.

Saying FF7 was a convoluted mess is not very honest. It's not THAT hard to follow.

I lold at this:

By your definition would Super Mario World and Mario 64 be the same genre, what about uncharted and gears of war... Gameplay mechanics are wildly different between the 4 games mentioned and they are all considered different genres, and by definition they are all games in which you play a particular role to see the story... So they are all RPGs, so the real question is how broad or shallow are your genre definitions? Me I'm definitely on the bandwagon of being as specific as possible when defining things cause let's face it people take things the wrong way whenever possible so why not reduce the chances  by being specific.

The writer's are the same minus Sakaguchi, the story is just as ridiculous and convoluted, and is still carried by the characters, the dialogue in the cut scenes are close enough to word for word to the originals localisation, all the plot points are hit for the midgar section, then the things that have been added character development wise follow the originals character arcs only making it a smoother change through the stages, the only issues people are having are the plot ghosts because they are fairly ham fisted due to their sporadic nature until they just get dumped on you, cause hey pretty well everyone missed their intentions on the first playthrough, which happens cause there is just so much they have done that is downright amazing to draw your attention away from them in particular.

Freshies are loving the remake while the diehards either love it or hate it based almost entirely on the last 1-3hrs of game time as in that 1-3hrs are the only thing the majority of diehards hate but they hate it with such a passion it ruins an otherwise amazing game, oh these are the diehards that have actually played the game rather then watching someone else play it or just the cutscenes.

The stagger mechanic doesn't really play a part in most of the combat, it's more for the bosses and gimmick fights, mainly cause trash mobs don't need you to be any good at the game to kill.

Hmmm, did I have a definition of what a genre is? I'm not sure what logic you refer to? Mario 64 is a 3D-platformer; Super Mario bros. is a 2D-platformer.
Mario 64 is an Adventure 3D-platformer? Mario 64 is an Adventure-Collector 3D-platformer? Mario 64 is a Family-friendly Adventure-Collector 3D-platformer with Boss fights and overall Silliness? I guess Mario 64 is FFAC 3DP BS. Mario 64 is not an RPG, not by a longshot.
Again, it may be interesting to discuss what constitutes genres, where the line goes etc. Being specific is fine, just don't bloat the dictionary with useless words (see metal genres). There are such things as sub-genres, descriptions and tags too. Game of Thrones contains humor, but saying GoT's genre includes comedy is stretching the specifics by a ridiculous amount imo.

The story is convoluted in the original FF7, yes, and at times silly and ridiculous, but the art direction/style didn't make that such a big deal in the original (the silliness part). Now they add multi dimensions and/or time traveling mechanics on top of the existing convoluted story. The complexity increases exponentially by each BS factor such as these they add. And, be sure, this is not the end of it.

I've seen plenty of newcomers who does not like it, or at least not call it a masterpiece. This a quantity over quality argument of what I assume is about the quality of the game?
Imo, the game is slightly above mediocre at best. Perhaps a 7 if I'm in a good mood (I would have to be drunk as well lol). The gameplay is not my cup of tea, so I'm not the best person to judge. Calling it a fast cash-grab is going too far, but it's within the same ballpark; at least the same sport.

Personally, I've stopped taken professional critics seriously for, I dunno, 10 years or so. Probably longer. IGN's review of FF7r was laughable as hell. According to critique consensus SW ep 8 is a great movie. lmao... I'm kinda surprised how badly ep 9 was treated by critics though. Imo it's worse than 8, but not that much. They are both terrible movies. Maybe FF7R-2 will have a similar fate?

FF7r is its own genre as in a new genre? Welp, I guess it depends on what one mean by genre.

FF8 has a pretty unique junction system. FF4 introduced the atb system (afaik). These games are not new or unique genres though. Mechanics =/= genre. If that's the case, there are literally 10s of thousands of genres. Perhaps even millions.

It's interesting to discuss what constitutes genres, but, imo, in the case of music, there are way too many "recognized" genres and sub-genres (especially in metal). Don't let that happen to games please. It's ridiculous. FF7r is an action RPG. Does it contain unique mechanics? Probably, I dunno, haven't done any research. Calling it an atb system seems a bit odd to me though. It's a cooldown system one has the means to directly manipulate with your characters input. It doesn't resemble the atb system from FF4-9 at all. Without stretching your logic. It's called atb in FF7R, and not cooldwn because, well, it's an FF.

Even if it is an entirely new unique genre, the fact remains that SE has pushed FFs in an action direction due to the market. That's where the AAA gold is, in action games. And why wouldn't they go in that direction if it's potentially more profitable?
I don't think SE will do the same thing with the DQ series though, mainly because that series is kinda sacred over in Japan. You don't #ยค%& with something sacred lol.

And to comment the stagger system. It's similar to the Octopath traveler weakness system, as in, with each new enemy you're looking to stagger/break them. It's interesting at first but gets exponentially more stale over time imo. The same was true for FF13. Although it may not be true in all encounters, what you initially look for is staggering/breaking. For each fight. Yawn... And the enemies can't stagger/break you. Why? Frankly, I think these games would be better without. Looking for ways to exploit the enemies without having this constant "I have to stagger" mentality is more fun imo. All enemies, in some sense, have the same weakness.

FF9 Tools / Re: [PC] Save editor - Memoria (
« on: 2020-04-26 12:23:25 »
Sorry, the is down. I moved it to another host (but it doesn't seem to be working).

The newest version is in the main download link, the big fat one. The other one was a mirror link, just in case. It's the same version.

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